Reference list of important liturature.

Books.

Berger, J. (2008) Ways of Seeing, (2nd edn) London: Penguin Books.

Betterton, R. (ed.) (1987) Looking on; Images of Femininity in the Visual Arts and Media. London: Pandora Press.

Bird, J. (eds.) (2003) Otherworlds: The Art of Nancy Spero and Kiki Smith. Google Books. [Online] Available at: http://books.google.co.uk/books?id=dF_R5eF55M8C&pg=PA13&lpg=PA13&dq=otherworlds+jon+bird&source=bl&ots=VBPb1cvP2O&sig=2ThUHQljq1tK05Bc7bYb82STCxg&hl=en&sa=X&ei=fywKT97hAoSv8QPtt7DoCQ&ved=0CDsQ6AEwBA#v=onepage&q=otherworlds%20jon%20bird&f=false (Accessed: 6 December 2011)

Butler, J. (2008) Gender Trouble. (2nd edn.) New York and London: Routledge Classics.

Carson, F. and Pajaczkowska, C. (eds.) (2001) Feminist Visual culture. New York: Routledge. [Online] Available at http://www.amazon.co.uk/Feminist-Visual-Culture-Fiona-Carson/dp/0748610464/ref=sr_1_3?s=books&ie=UTF8&qid=1323168891&sr=1-3#reader_0748610464 (Accessed: 3 December 2011).

Chadwick, W. (2002) Women, Art and Society. (3rd edn.) London: Thames and Hudson Ltd.

Collings, M. (2002) Sarah Lucas. London: Tate Publishing.

Emerling, J. (2005) Theory for Art History.  New York and Oxon: Routledge.

Geyer-Ryan. H. (1994) Fables of Desire; Studies in the Ethics of Art and Gender. Cambridge: Polity Press.

Irigrary, L. (1985b) Speculum of the Other Woman. Trans. Gill, G. New York: Cornell University.

Irigaray, L, (1985a) This Sex Which is Not One. Trans. Porter, C. New York: Cornell University Press.

Jones, A. (1998) Body Art/ Performing the Subject. New York: University of Minnesota Press.

Jones, A. (ed.) (2003) The Feminism and Visual Culture Reader. New York: Routledge.

Jones, A. and Warr, T. (ed) (2003) The Artists Body. (2nd edn) London: Phaidon Press.

Krauss, R. (2000) Bachelors. Cambridge: Massachsetts Institute of Technology Press.

Malik, A. (2009) Sarah Lucas; Au Naturel. London: Afterall Books.

Meskimmon, M. (2003) Women Making Art; History, Subjectivity, Aesthetics. London: Routledge.

Mulvey, L. (1991) Visual and Other Pleasures. (2nd edn) London: Macmillan Academic and Professional Ltd.

Nochlin, L. (1988) Women, Art and Power and Other Essays. Colorado: Westview Press.

Nochlin, L. (1999) Representing Women. London: Thames and Hudson.

Parker, R. and Pollock, G. (1981) Old Mistresses; Women, Art and Ideology. London and Henley: Routledge and Kegan Paul.

Perry, G. (1999) Gender and Art. London and New Haven: Yale University Press.

Perry, G. (2004) Difference and Excess in Contemporary Art: The Visibility of Womans Practice. Oxford and Maldon: Blackwell Publishing.

Pollock, G. (1999) Differencing the Canon; Feminist Desire and the Writing of Art Histories. London: Routledge.

Pollock, G. (2003) Vision and Difference: Feminism, Femininity and Histories of Art. (2nd edn) London and New York: Routledge.

Posner, H. (1998) Kiki Smith. Boston: Bulfinch.

Robinson, H. (ed) (2001) Feminism Art Theory; An Anthology 1968-2000. Oxford: Blackwell Publishing.

Salih, S. (2002) Judith Butler. London and New York: Routledge.

Schor, M. (2007) Wet: on painting, feminism and art culture. (4nd edn) United States of America: Duke University Press.

Wall, R. (2011) Literature Review; How can women’s art be considered in terms of social and gender constrictions and within this in terms of gendered preconceptions, power, and feminism?

Whitford, M. (ed.) (1994) The Irigaray Reader. (2nd edn) Oxford and Massachusetts: Blackwell Publishers Ltd.

Articles

Ayers, R. (2010) “Without the Feminist Movement I Wouldn’t Exist”- Robert Ayers in Conversation with Kiki Smith. Available at: http://www.askyfilledwithshootingstars.com/wordpress/?p=1128 (Accessed 3 January 2012)

Burke, E. (no date) Screen Online; Laura Mulvey. Available at: http://www.screenonline.org.uk/people/id/566978/ (Accessed: 12 February 2012)

Grayling, A C. (2005) An Uncooked Perspective on the Nature of Sex; A C Grayling on Sarah Lucas.  Available at: http://www.tate.org.uk/tateetc/issue5/encounters5.htm (accessed 4 November 2011)

Harris, A. (ed) (no date) Reading Guide to Selected Works of Laura Mulvey on Cinema and Psychanalysis, Available at: http://www.arasite.org/mulvey.htm (Accessed: 18 January 2012)

Hecker, J B. and Weitman, W. (2003) Chronology. Available at:   http://www.moma.org/interactives/exhibitions/2003/kikismith/pdf/chronology.pdf (Accessed: 5 January 2012).

Journal of Contemporary Art. (No Date) ‘Interview with Kiki Smith and Carlo McCormick.’ Journal of Contemporary Art. [Online] Available at: http://www.jca-online.com/ksmith.html (Accessed: 3 December 2011)

Mira Schor; Bio. (no date) Available at: http://www.miraschor.com/index.html (Accessed: 6 January 2012)

Stonard, J. (2000) Tate Collection, Sarah Lucas. Available at: http://www.tate.org.uk/servlet/ArtistWorks?cgroupid=999999961&artistid=2643&page=1&sole=y&collab=y&attr=y&sort=default&tabview=bio (Accesses: 5 January 2012)

Tate Collection, (2007) Sarah Lucas, Pauline Bunny. Available at: http://www.tate.org.uk/servlet/ViewWork?workid=26305 (Accessed: 5 January 2012)

Tate Collection, (2004) Sarah Lucas, Got a Salmon on. Available at: http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&workid=151&searchid=9485 (Accessed: 11 February 2012)

Tate Glossary. (No Date) Abject Art. Available at: http://www.tate.org.uk/collections/glossary/definition.jsp?entryId=7 (Accessed: 5 December 2011)

Weltman, W. (2003) Printmaking: Kiki Smith Expands the Tradition, [online] Available at: http://www.moma.org/interactives/exhibitions/2003/kikismith/pdf/essay.pdf (Accessed: 5 February 2012)

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